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SHARED SIGHTINGS
Birdwatchers and poets
sing back
to the source of their inspiration
"Everyone who is obsessed with birds should read these poems."
--Roger Tory Peterson
With over four hundred million birdwatchers
worldwide, birdwatching is among the most popular sports we human
beings enjoy. And sport it is, with birders hiking into the wild
(or into the backyard) with binoculars and fieldguides. Some
carry cameras and telephoto lenses; others carry sketchbooks
and easels. Still other birders carry notebooks--to keep track
of their life lists, of course, but also to put down on paper
their impressions of the magic that happens when human beings
see and hear those noble, comical, gentle, fierce, beautiful
beings that have inspired human art and culture forever.
As Sheila Golburgh Johnson points out in the introduction
to her anthology Shared Sightings, "Birds have been
part of our collective consciousness since our time on earth
began. Language itself, the gift that makes us most human, is
mythically connected to birds." Poets especially have been
inspired by birds--by their habits, their plumage, and their
songs--throughout the ages, from Aristophanes to Shakespeare,
from John Keats to Johnny Mercer.
Shared Sightings gathers together poems by thirty-five
modern poets, all of whom have been touched in one way or another
by birds. The collection presents some of the most widely published
poets writing today, including Pulitzer Prize winners and writers
of best-sellers, along with lesser-known poets whose work Johnson
admires. Grouped into three sections, the poems reveal the experience
of birdwatching in the morning, in the daylight hours, and into
the evening and night. A wide variety of birds are represented
in this collection, from the great birds of prey down to the
tiny hummingbird, from herons and owls to sparrows and chickens,
and even including the extinct pterodactyl.
Just as widely varied are the responses of the poets to their
subjects. In styles ranging from strict and formal sonnets, haiku,
and ballads to free-wheeling experimental verse, the emotional
responses range from hilarity to to sorrow. Connecting all the
poetry in this collection, though, is a profound respect for
avian life. Another recurring theme is the importance of birds
to the spiritual life of mankind. A third theme, amidst this
celebration, is a warning: with the number of birds in the world
rapidly shrinking, the poets in Shared Sightings remind
us we must treasure birds and defend them against wanton destruction
at the hands of our own species.
About the Editor: Sheila Golburgh Johnson has been
invited to contribute an article to Writer's Digest on
the challenge and technique of compiling a poetry anthology.
The article, which will draw heavily on Johnson's experience
with Shared Sightings, will appear in late 1995.
Ms. Johnson has published articles, stories, and poems in
a wide variety of jounals, including Westways, Birdwatcher's
Digest, Kansas Quarterly, and South Dakota Review.
Her unpublished novel, After I Said No, won the Sydney
Taylor Manuscript Competition for 1995 from the Association of
Jewish Libraries.
An avid birdwatcher, Sheila Golburgh Johnson has traveled
all over the world to keep company with birds. She has been a
volunteer lecturer in schools for the Audubon Society and a docent
at the Santa Barbara Museum of Natural History. She lives in
Santa Barbara, California.
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