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RED TILES, BLUE SKIES
SANTA BARBARA BIBLIOPHILE STEVEN
GILBAR CELEBRATES THE LITERARY HISTORY OF HIS HOME TOWN IN HIS
NEWEST ANTHOLOGY
Santa Barbar lawyer Steven Gilbar is one of the best-known
men of letters in his adopted home town. As an expert on literary
law, he has been a valuable resource to Santa Barbara's flourishing
publishing community as well as its busy throng of authors. Gilbar's
reputation as a bibliophile also extends beyond the city walls.
He is the editor of many books about books, including The
Open Door: When Writers First Learned to Read and Reading
in Bed: Familiar Essays on the Pleasures of Reading. He is
also the author (with Dean Stewart) of the forthcoming Literary
Santa Barbara: a History of Santa Barbara Literature.
In 1994 Steve Gilbar (with Dean Stewart) presented his first
anthology of writings about Santa Barbara. Published by John
Daniel & Company,Tales of Santa Barbara, has become
a popular favorite among home-town readers and visitors alike.
That book is now in its third printing.
Now Gilbar offers a second collection of Santa Barbara writings,
another historical literary survey of fiction, reminiscences,
and poetry inspired by the "California Riviera." This
new collection, Red Tiles, Blue Skies, is especially valuable
and pleasurable because most of the contents can now be found
nowhere else in print.
Like its predecessor, Tales of Santa Barbara, Red Tiles,
Blue Skies is arranged chronologically to let the reader
view Santa Barbara's development since the first Spanish explorers
arrived in the eighteenth century. The collection begins with
a glimpse of Channel Island Indian life as seen by Fr. Pedro
Font of the Anza Expedition. Chumash life is also described by
F. Maynard Geiger and Lawrence Thornton. The frightening 1850s
story of Jack Powers is told by Katherine Den Bell. The rest
of the nineteenth century is portrayed by William Brewer, Margaret
Cameron, Kate Douglas Wiggin, and Caroline Hazard. In the twentieth
century, John Berger tells a part of the life of painter Fernand
Lungren, and Thomas Storke recalls the aftermath of the earthquake
of 1925. Modern Santa Barbara is seen in excerpts from the novels
of Willard Temple, William Campbell Gault, and Newton Thorburgh.
The devastating Sycamore Canyon Fire of 1978 is brilliantly described
by Thomas Sanchez and given fictional gloss by Hank Searls. Santa
Barbara's back country is depicted by Michael Parfit and Max
Schott.
In addition to these prose pieces, Red Tiles, Blue Skies,
presents a sampling of poems by members of Santa Barbara's fine
community of poets: Abigail Albrecht, Tom Clark, Gretel Ehrlich,
Valentina Gnup-Kruip, Kyle Kimberlin, Robert Cameron Rogers,
Kit Tremaine, and Margarite Wilkinson.
Red Tiles, Blue Skies is a comprehensive collection
of many Santa Barbaras. Anyone who has lived here will recognize
some of these views. Anyone who wants to know what Santa Barbara
is really like should read this book. Finally, anyone who reads
this book will have a rewarding read, because this book is, first
and foremost, a collection of good writing by good writers.
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